It’s really unfortunate that few artists were ever credited in animated cartoons in the 1930s. It’d be great to know for certain who was responsible for backgrounds, layouts, even the animation itself.
Here are some nice, effective backgrounds for the Merrie Melodies short One Step Ahead of My Shadow (1933). Who drew them? No one today may know. The gong in the opening shot is on a cel (as is the character and his mallet), but the rest of the work is by the unknown background artist.
Hugh Harman or Rudy Ising go for an overlay with a tree in this scene. Very effective and attractive.
The layout artist has designed shots at an angle instead of a stage viewpoint in various parts of the cartoon.
The blossoming trees in the foreground are on an overlay.
More angles. The backgrounds feature tapestries, rugs and screens.
Friz Freleng and Max Maxwell are the credited animators on this short. The title song by Irving Kahal and Sammy Fain is featured hot-cha style and, as usual in a Harman-Ising Merrie Melodie, it bops along at double-time in the second half when the bad guy (a dragon) chases the good guys (the little boy and girl). The soundtrack also includes “Chinatown, My Chinatown.”
This sort of design would return in one of the early MGM shorts, the one with the nightingale.
ReplyDeletePlentiful Asian stereotypes, plus an Amos 'n Andy gag! No wonder I haven't seen this one before. You can find it on Dailymotion.
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