Re-Using Harman-Ising

Reusing animation was not beneath Hugh Harman and Rudy Ising at Warner Bros. No, we don’t mean the same stomp-slide step Bosko and other characters did. Or the same three-quarters view, open-mouth-with-tongue expression found in all kinds of circle-headed characters. We mean whole scenes.

Here’s a good example from We're in the Money, released Aug. 26, 1933. It’s a pretty lacklustre cartoon. The same old toys-come-to-life-and-play-a-Warners-owned-song schtick. One scene has a toy with wheels for feet. He rolls along in a right-to-left pan, stops and twirls. It’s a cycle of eight drawings.

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Why, here it is again from A Great Big Bunch of You, released November 12, 1932.



The end title animation is reused, as the toy shouts “So long, folks!” From the Money ending.



And the Bunch ending.



Like a number of Harman and Ising, there are cycles in Money of cheering, applauding characters. Some cycles were used more than once.

The animation credits on A Great Big Bunch of You went to Ham Hamilton and Tom McKimson. On We're in the Money, the credits go to Friz Freleng and Larry Martin.

Money was the last Merrie Melodies cartoon from the Harman-Ising team. On May 4, 1933, The Film Daily reported Leon Schlesinger had ended his contract with them.

The title song was heard 55 times in a Warners cartoon, more than any other tune owned by the studio (The William Tell Overture was used 88 times and Yankee Doodle in 58 cartoons).

Oswald Gets Dressed

A bulldog grabs onto Oswald the rabbit, who is trying to grab a roast chicken cooling on a window sill in Weary Willies (1929).



The dog pulls Oswald’s black ink right off him.



Oswald is left in his underwear (with a flap). How embarrassing for a major cartoon star!



A shadow now appears where there had never been one before.



Yeah, the shadow telegraphs the gag. But I like it anyway (Didn't Felix do the same thing once?). Some representative frames.



Exhibitors Herald World, on June 29, 1929, reviewed the short:

"Weary Willie" (Universal Cartoon — One Reel)
THE bright, extremely clever, the unexpected and agreeable, the skillful manipulation of comedy quirks are not very often met with in pictures. Here, though, is a cartoon, one of the Oswalds turned out by the Winkler boys, that has plenty of these rare ingredients that are conducive to laughter. And it contains them in profusion. Ninety-nine out of every one hundred persons should get a laugh out of the rabbit's adventures with a tramp bear. Touched up with sound effects, this one hurdles all obstacles and grabs a laurel wreath labeled : first-rate cartoon comedy. — RAYMOND GANLY.

The cartoon was made during the period Charlie Mintz took control of the Oswald series from Walt Disney, and offered jobs to Hugh Harman, Rudy Ising, Ben Clopton, Ham Hamilton and another ex-Disney staffer who directed this cartoon.



Another animator on staff was Walter Lantz, who happened to be a social friend of Carl Laemmle, the head of Universal, which distributed the Oswald cartoons. On April 9, 1929, Universal announced it was setting up its own cartoon studio. Walter Lantz was put in charge, with Bill Nolan assiating. Farewell to Mintz, Harman, Ising, Freleng and the ex-Disneyites that Mintz enticed to join him. Lantz recalled to Leonard Maltin (quoted in "Of Mice and Magic") his first job was to add sound to six Winkler cartoons that hadn't been released. Presumably, Weary Willies was one, though a low-resolution print with music added by someone is all that's available to view. The cartoon came with sound on film and on disc.

Motion Picture News reported the cartoon was released July 22, 1929. Exhibitors World Herald eventually gave a date of Aug. 5, 1929. The last Winkler cartoon released was Saucy Sausages on Aug. 19, according to Motion Picture News. It was directed by Ben Clopton.

The next cartoon was released on Sept. 2, 1929. Race Riot bore the names of animators Walter Lantz, Bill Nolan and Tom Palmer, with synchronisation and score by Bert Fiske. Rollin C. (Ham) Hamilton replaced Lantz as an animator while David Broekman, the head of Universal's music department, took over from Fiske before the end of the year.

Freleng had been credited on other Oswald shorts for Mintz/Winkler: The Fiery Fireman (Oct. 15, 1928); Homeless Homer (with Rudolf Ising, Jan. 7, 1929); Hen Fruit (with Ising, Feb. 4, 1929); and Wicked West (June 10, 1929).

The Adventures of Bosko in Comics

Bosko had already left Warner Bros. when Hugh Harman and Rudy Ising, through Hugh’s brother Fred, syndicated a Bosko comic in newspapers.

They are certainly well drawn and I like the how-to-make-cartoons panel.

This is only a smattering of them. The series went into the end of October with a prolonged story about Bosko going big-game hunting in Africa and meeting with some cannibals. These are from May 6, 13, 20, 27, 30, June 4, 10 and 15, 1934.



Next Oct. 8, 9, 10, 17, 22, 24, 26, 29, 30 and 31.



And Nov. 1, 2, 3, 5, 6, 7, 8, 9, 12 and 16.