Here are a few of the background drawings. Montell draws a different theatre scrim for each of the acts on stage.
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And there’s a long one that I can’t snip together from frame grabs without the colour changing, but it follows a large sewer pipe about to be laid in the ground from one end to the other. Notice the Leaning Tower of Eiffel at the end.
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Montell later worked for John Sutherland, Hanna-Barbera and Jay Ward.
Tex reuses some old themes here—fleas, lovelorn-ity, and an ending with insanely large numbers of children. And Bill Thompson reuses Droopy’s voice for the clown flea. It sounds like Francoise Brun-Cottan and Pat McGeehan are supplying the other voices.
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