![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWfsxjrNV0hmctz2zLgcjY_o-oyLwqmrCJbDAlyZFT3Z3gmkFKTZz9XwOVVVDisCtlarPa1VtRpCnXBpQxnw3HwtsyZPGsxtVdvTCOPZUeiBd4ovafoWAO7va7HiystcF9KCmAsw-phiJoeE917lRTJDi7BKUnQfstvbD_-ebuC2WSqADC-JVlCFWtcE9I/s400/SILVER%20SPOON%201.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQurQXAnZzA61OXWwTkUxfp56lu8oZ63OibtSvZ3y_nGwbup636iDvG8vOEBrqewskw51grdpYuJeMKL4gzhDXVR3SBI1XWifxKI7kjk3fYhBwNiv77WKkEACMqYpkYJoaaZVDtomVr0zp7etiIffBBYjOm1SQeN5J6ACkKIubRTXc1i-Ize5p15hLCH9/s400/SILVER%20SPOON%202.png)
So comes the first visual pun in Tex Avery’s Symphony in Slang, released by MGM in 1951
The gag wasn’t a new one. You can see it in Friz Freleng’s Confederate Honey, released by Warners in 1940. The narrator (John Deering, not John Brown) tells us Colonel O’Hairoil has a daughter, Crimson, who was born the same way.
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Cut to reveal the gag.
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This was the first cartoon made by Freleng after he escaped from MGM and accepted an offer from Leon Schlesinger to return. It’s a parody of Gone With the Wind with rotoscoping, effects animation, lots of overlays at the beginning, radio references, racial stereotypes, Mel Blanc as a Hugh Herbert caricature, and Elmer Fudd. Freleng’s next release for Warners, The Hardship of Miles Standish, features at least the latter four.
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