He had to make cartoons out of Warner Bros-owned songs. In 1935, Mort Dixon and Allie Wrubel wrote “The Lady in Red” for the Warners feature In Caliente starring Dolores del Rio and Pat O’Brien. It was a hit, so Friz and the writers went to work.
The feature was set in a Mexican cabaret, so the cartoon was set in a Mexican café, which just happened to have a cabaret attached. And what better to star in a cartoon set in Mexico than the most Mexican of all insects—cucarachas.
It was already a cartoon cliché to find musical purposes for ordinary items. In this scene, cockroaches are providing accompaniment to a Rudy Vallee roach singing Warren and Dubin’s “Sweet Music.”
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKmCezvUSrWB_PQGuTIX0sobnA_ga1JcFhWNsJW_Y0IV604nKVcq-qAch_iT3nFEQ8lpdVKcqlPb2rqXaXjv3_SAnv_nMy4eKI3KkSkDVG1TAAQDk6to94UT-YWLaq3PjDkq_Q5afmVGSJOEPq8y3_FtxzTHMZsQR2m_OLu1hdANXK19fJWAk8j1qmphG/s400/LADY%20IN%20RED.png)
One happy roach is playing a jar of jelly like a snare drum. Another jolly roach is playing a pipe like a saxophone. Bernie Brown’s score has neither a drum nor saxophone in it.
Here, peanuts stand-in for maracas.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKLabniT0meRqzlJUu2Mn80NLHekoCrI3N7qcv1IL1SaEoBUb4ftRRsM1uk3hp5Od7tUm-QTvbFYWJbTwM1z8S7xHHFUIVt9JYXbi-4QEQeGj1Qlswig0QfwiAZ1HjeJ22LY_MamSFhLV1X6_9m4Ebx1BGDxztsGij-Y1boceCrE63B0h0-QsLC3UC654E/s400/LADY%20IN%20RED%20%282%29.png)
Spoons and empty water glasses turn into a celeste.
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False teeth click like castanets when they “see” a piece of really thin meat. I’m afraid the “gags” don’t get better than this.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFtWFFUX1afStgc1uqbpVYbFAFW4D8MfUB1C3_lxnyy8r_W0-80fUdQoFORKlzGNeN0N3J_rtiK78cHgcdnAZMoOcD22Fk5Xh6CD82PASZcDCf6CKYWC__00lkS9wvFkdGW9xuc4aVY2e05ysO79cQQP9K01c9D7Yh6Pp-Woj7qU1kwyjK8c-j1rpnjFhv/s400/LADY%20IN%20RED%20%281%29.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEzegqdIAbOSJUBFgHjDYIfkiK2VJDVewo-K48FvlC9QHjs4KX9bAiIQQ3jbAQLan7JZsLby94O_PH7Qbww20dVMk3M9l3xhj3dWX5yMNI3mUQmXyTZFzIbHAod2hCdLigwFm2G_8OZlXXOzSly7UxmXHZvR-LhL8wNpzWAp9Incl9_XAx72qbU8dqn5Pk/s400/LADY%20IN%20RED%20%284%29.png)
The writers revert to the old Harman-Ising “villain shows up in the second half and is quelled by the gang” formula. At least in the H-I cartoons, you could guess the villain had romantic/sexual interest in his captive. I don’t know what the parrot’s motivation is to grab the Dolores Del Rio roach.
This is the best part of the cartoon.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5BH_pt28JPil8_AsvGiJdfQKkvESwDV5_4iHTlDBpQOdgQq-8OoE3fbw_mMlx6Fy6nJedri1LrUHgjeq2nMIZO5x3c_fvNnBpmjnHoU8NTF-J5h5Hqn3VFi4cpNi109z9FbMlaOHpilVuoSm34HOitMvKH5rdApStCI8_ePrmzA2G1avK6RjZYv3K89U/s400/LADY%20IN%20RED%20%285%29.png)
Well, I always liked the jester.
Bob McKimson and Ben Clopton are the credited animators.
I would imagine a parrot's motive for abducting a roach would be to eat it.
ReplyDeleteWhy didn't the parrot swallow her then and there? She was already in the bird's mouth.
ReplyDeleteMaybe the parrot wanted a private night club act.
Anyways, this isn't really one of Friz's shining moments. I'm sure he was far happier doing musical cartoons later on his own terms.
I always liked the Jester as well. He had a cute design and was a pretty nice presence at the end of some mostly forgettable cartoons.
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