Myron Waldman and Ed Nolan get the animation credits. I like Betty’s smart little cap as she chugs away in her car to a rural destination. The stone fence has little light reflections on the grey tones in the shot below.
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Okay, we get a bit of warping on the farmhouse Betty goes to. The ratty-looking picket fence on the left is on an overlay.
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The posts and railings are on overlays, too.
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Muted scenics. These are watercolours, aren't they?
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Some interiors of Betty's city apartment. There's nothing fancy. Construction workers are animated and trains (not seen below) travel on the “L.”
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Instead of reusing the same background of Betty's bedroom, two similar ones were painted.
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The Boop Bed.
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Unfortunately, the artist isn't credited.
Interesting how the color Fleischer backgrounds aren't nearly as satisfying.
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