The two of them, or whoever was doing layouts for them, must have been inspired by the angles and perspectives that Frank Tashlin and, to a lesser extent, Tex Avery had in their cartoons at the time.
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It’s a real shame the layout and background people weren’t credited on screen for another half dozen-or-so years at Warners. I’d love to know who the artists were responsible for these.
I think the scene where Porky was stuck playing the ABC song for the giant's baby was cool.
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