Showing posts with label Bob McKimson. Show all posts
Showing posts with label Bob McKimson. Show all posts

Monday, 3 March 2025

Off With His Head

Bugs Bunny reacts to being fired on in Rebel Rabbit (1949).



This is one of those cartoons where parts of a character’s body disappear out of the frame during a take. I’ve never understood why a drawing would be shot that way. Below, Bugs’ head springs back into the frame.



Here, Bugs’ head springs out of the frame.



Multiple brushwork hands. This is one of several similar drawings.



There are about ten frames where we don’t see Bugs’ head as he runs in mid-air.



The Bob McKimson unit made some good Bugs cartoons in the late ‘40s (pigs, genie) but this isn’t one of them. I never bought Warren Foster’s plot that Bugs was outraged about a bounty. To me, Bugs didn’t care. I could see Daffy getting upset about a duck bounty.

Anyway, Manny Gould, Chuck McKimson, Phil De Lara and Jack Carey are the credited animators on this one.

Monday, 23 December 2024

Hmm...Could Be

Artie Auerbach died in 1957, but his catchphrase lives on.

Auerbach was a newspaper photographer who met a man in Bronx. When Auerbach became a radio actor, he created a Jewish character based on the man, and called the character “Kitzel.”

On the air with Jack Haley, then Al Pearce, he was given several recurring lines, including “Mmm...could be!”

Yes, cartoon fans, that’s where the line you’ve heard for years comes from.

Tex Avery was particularly fond of it. Bugs Bunny said it in a A Wild Hare (1940). You can hear it Screwball Football (1939), Holiday Highlights and Ceiling Hero (both 1940).

It also turns up at the end of The Peachy Cobbler (released by MGM in 1950), with the story by ex-Warners writer Rich Hogan. A sick, destitute cobbler gives his last crust of bread (“whole wheat”) to poor, hungry snowbirds, who turn out to be happy, little shoemaker elves who surreptitiously make shoes and boots for the man to sell.

The shoemaker (played by Daws Butler) wakes up and jitterbugs happily with his wife (to the sped-up strains of “Running Wild”). They stop. “Mama,” he says to his wife, “I wonder if them little birds had something to do with this.” Cut to the birds, putting on their shoemaker hats, giving a stereotypical palms-out shrug and say the Kitzel catchphrase.



Avery used Kitzel’s other phrase of the period—“Hmm...it’s a possibility!”—to end Blitz Wolf (MGM, 1942).

Other directors used “Could be” as well. Bob Clampett ended Slap Happy Pappy (1940) with it, and so did Bob McKimson in Rebel Rabbit (1949). I suspect both cartoons were written by Warren Foster.

Incidentally, when Auerbach brought Mr. Kitzel to the Jack Benny show in 1946, the writers decided to develop their own catchphrases, so “Could be” was abandoned. Auerbach continued to appear on the Benny show, radio and television, until his death.

Normally, I don’t like lists on this blog, but if anyone reading can add another cartoon to the list, especially from a studio like Lantz or Screen Gems, or the Snafu shorts, please leave a note in the comments.

Saturday, 26 October 2024

Who Would Have, I SAY! Who Would Have Thought

Cartoons are not exclusively for kids. That’s why you non-kids reading this blog enjoy good animated cartoons.

Over on the Yowp blog, we’ve written about how patrons of bars would stop everything to watch The Huckleberry Hound Show. Huck, Yogi, Jinksie and the meeces (and, in three cartoons, the lovable dog Yowp), weren’t the only animated characters attracting bar-flies.

Here’s a cute story from Florida, where a pub halted its activities so people could watch Foghorn Leghorn in relative peace.

Foggy was likely the most successful character that came out of the Bob McKimson unit. No doubt being Southern appealed to Floridians, though he wasn’t likely from that far south. In his early cartoons, he flapped his arms and gestured wildly. Once McKimson “calmed” his animators (McKimson’s preference seems to have been for subtle acting), Foghorn’s dialogue and penchant for far-fetched analogies drove the humour. That was one of the characteristics he borrowed from Kenny Delmar’s Senator Claghorn on the Fred Allen radio show, though his origins lay elsewhere. Get the facts from Keith Scott’s fine research on this.

Enough of me. Let’s get to the article from the Tampa Tribune, March 27, 1980. I admire the industry of the reporter, managing to turn his trips to the local bar (knowing news people and bars, I am certain it is “trips,” plural) in a story. One presumes the pub owner thanked him for the free publicity in an accustomed manner.

Foghorn Leghorn
Ardent Fans Crow Fowl, I Say Fowl, When Feathered Friend Fails To Appear

By TOM WUCKOVICH
Tribune Staff Writer
TEMPLE TERRACE—It usually starts promptly at 10 a.m. and continues unabated until 4 p.m.
The "it" is the exotic sound coming from Everybody's Pub, which adjoins the Tribune Northside office in Temple Terrace.
Seldom does a day go by that the pin-ball machine, with its outer space program, isn't piping sounds through the paper-thin walls and the strains of the Eagles singing "There's Gonna Be A Heartache Tonight" has the staff unconsciously tapping its feet.
But, as if by some mystical touch, the noise stops promptly at 4 p.m. and stays that way until 5 p.m. Why?
It certainly deserved looking into. So, seeing our duty, we ventured into the pub unobserved, and observed the following:
Grown men and women, of all sizes and descriptions, were huddled around the bar gazing intently at the color television set perched atop the wooden circle. What was this hearty group watching? Cartoons!
Not just any cartoons, we later found out, but "Bugs, Woody and Friends," which is aired by WTOG-TV Monday through Friday from 4 to 5 p.m.
This group is not just cartoon watchers, it's a group of cartoon addicts. And the object of their affection was, and is, none other than Foghorn Leghorn, that boisterous, I say boisterous, egotistical and repetitious rooster with the deep Southern voice.
Boy, I say boy, listen up. This group is so devoted to its fine feathered friend that when he isn't shown at least once during the program, public outcry results.
Well, WTOG committed a grievous sin not long ago when Foghorn was left out of the program for an entire week. Everybody at Everybody's was upset.
So distrubed [sic] were they that Joe Mooney, a "regular" at the bar, took matters into his own hands and penned the following letter to the TV station. It speaks for itself and Mooney, who does Foghorn as well as Foghorn, also received a reply from the beleaguered station.
Here is his letter, and WTOG's response:
"We the undersigned, have a grievance with a program of your network. To wit, 'Bugs, Woody and Friends' cartoons that are aired weekdays, Monday through Friday from 4 to 5 p.m.
"We are a group of people who watch your program religiously every afternoon at a local pub here in Temple Terrace that shall remain nameless because it is Everybody's Pub — everybody comes here — everybody drinks here — and everybody complains here about your program.
"We are such ardent fans of this show that the Management has enforced hard and strict rules while your program is viewed.
"1. The plug for the jukebox shall be pulled from the wall socket.
"2. The kitchen will be closed from 4 till 5.
"3. All beer, wine, soft drinks, chips, Slim Jims, will be served only during commercials.
"4. No quarter change made.
"5. All racks, balls, cue sticks and chalk will be placed in the men's room.
"6. The men's room will be locked.
"We are what we consider a cross section of the American viewer; therefore, we feel that we know what the Public wants to see. This could be of great value to you as a Broadcaster. However, due to the fact that kids are watching at this hour, we won't suggest showing pornography at this time of day.
"Our group consists of Butchers and Bakers — a couple of Beer Can Makers — Carpenters and Plumbers — Two Hookers (they're bummers) — Pool Sharks and Hustlers — some upstate Cow Rustlers — a Lawyer, a Surgeon — a gal who's a Virgin — some Nurses — some Teachers — and a couple of Preachers — a Pusher — A Legal Defender — Two girls that call themselves Bar-Persons. Not to mention Elleen — Ginny — Mike — Tom — Chris and Lee, Gene — Ken — Joe — Jack — Clyde and Me.
"So you see there are quite a few viewers at stake here. Now we love Bugs, Woody, Porky Pig, Felix the Cat, Tweety Bird and all the rest. What we want is, I say, is more Foghorn Leghorn. You have no idea how his fans sit patiently waiting for Foghorn Leghorn to appear on the screen.
"They chew their nails — they mumble to themselves — they ponder if they forgot to punch out when they left work or if they locked the shop — set the burglar alarm, etc. — not to mention refusing overtime just to watch the cartoon. But to no avail, no Foghorn Leghorn cartoon today, nor yesterday. In fact, it has been a week since you featured Foghorn.
"So we suggest you speak to your Program Director — Say, I say, pay attention Son, we want at least one, I say one, Foghorn Leghorn cartoon a day. Now if you don't air more Foghorn Leghorn we will plug in the jukebox. I say, we will plug in the jukebox, serve beer, play pool, open the kitchen and the men's room, and if that doesn't work, I say, if that doesn't work — we'll switch to Merv."
The letter was signed by Mooney and 19 other fans.
Channel 44 was not to be outdone. Promotion manager Barry, I say Barry Stinson, answered the letter under the name of Foghorn Leghorn himself.
"A tear, I say, a tear trickled down my beak when I read your wonderful letter. Never before have I received such glowing compliments from my legion of fans, and it gave me a warm feeling from my comb all the way down to my drumsticks.
"But, please, I say, please don't get your feathers ruffled over my infrequent appearances on Ch. 44. When I signed my contract with Warner Bros., they had no idea that I would be so popular at your watering hole. Therefore, I only made a limited number of films for them. Little did they know that I have the potential to be a superstar, like Cluck Gable or Chicken Heston. I could have been a great comedian like Rhode Island Red Skelton, Henny Youngman or Pullet Lynde.
"Also, I could have been a rock music superstar. I turned down offers to go on tour with The Eagles, Paul McCartney and Wings. A similar offer came from the Vienna Capons Choir, but it involved a delicate operation, so I passed on that, too.
"You see, I'm keeping a low profile because Colonel Sanders has put a contract out on me. I don't know why, I certainly haven't done anything to egg him into such drastic action. So I've gone underground. I'm presently operating with a tough bird named Robin Hood, and I've taken on the alias of Fryer Tuck.
"So, please don't cry ‘Fowl’ if you don't see me on Ch. 44."
Stinson also enclosed a picture of the group's hero.
Whether the gang will take this "laying" down is still in question. It's obvious the station is ripe for a "Coop d'etat."


Locking the bathroom for an hour? That’ll cause, I SAY, that’ll cause more hopping around than a mouse at a burlesque show. To paraphrase a famous rooster.

Foggy starred in 28 cartoons, beginning with Oscar nominee Walky Talky Hawky (released in 1946). He also made a cameo appearance at the end of McKimson’s Bugs Bunny cartoon False Hare (released in 1964), and in some of the segments (and the opening animation) of The Bugs Bunny Show in prime time on ABC (the CBC in Canada).

Warren Foster was McKimson’s writer when the rooster was created in what was supposed to be a supporting role in a Henery Hawk cartoon. Tedd Pierce took over for the eighth Foggy short and wrote most of the rest. Mike Maltese took a stab at two (Fox Terrier, a 1957 short, and Weasel While You Work, released the following year with Snooper and Blabber music). After Pierce left the studio, Dave Detiege and McKimson himself wrote the last two.

Foggy was still popular after the Warners studio closed in the early 1960s. McKimson animated his appearance with comedian Pat Paulsen in a live/animation combo, while the pushy pullet found employment hawking (or is that “chicken hawking”?) Kentucky Fried Chicken with Henery and Miss Prissy, as Mel Blanc and June Foray provided the voices. And Warners thought enough of him to release a Foghorn Leghorn DVD a while back.

By the way, if TV promotion guru Stinson thought his station upset the Happy Hour crowd, it was nothing compared to when he worked at WGNX Atlanta in the mid-‘90s and it cancelled Star Trek: The Next Generation. Viewers were madder than a wet hen. Or maybe a wet Leghorn.

Thursday, 29 August 2024

Sylvester's a Mother

Foghorn Leghorn has convinced Sylvester he has laid an egg in the 1947 release Crowing Pains. The cat is quite proud of himself.



But wait a minute, he thinks. Director Bob McKimson holds the pose for 26 frames.



“Hey!” he shouts. “Tom cats can’t be mothers!”



Sylvester’s body is static so the animator can concentrate on moving the head around in different shapes during the dialogue. Here are some frames.



The opening credits say this is a Henery Hawk cartoon, not a Sylvester cartoon. Even then, the star is the not-yet-named Foghorn Leghorn, with a different voice than what Mel Blanc used later, but with some Senator Claghorn-isms already part of the dialogue from Warren Foster (egs. interrupting a sentence to remark “I say!” and ending sentences with “That is”).

It seems the Warners directors were trying to find ways to use Sylvester. The time this cartoon was released, Friz Freleng had paired him with Tweety, and won an Oscar. Art Davis and his writers came up with an idiot version of him with a dopey voice. Chuck Jones tried him in several horror cartoons with an oblivious Porky Pig. After this cartoon, McKimson came up with a combination far more lasting—a “giant mouse” (kangaroo) nemesis in Hop, Look and Listen (released in 1948), adding Sylvester, Jr. into the mix in Pop ‘Em Pop (released in 1950). The three of them settled in for a long career on the screen.

Meanwhile, McKimson realised Foggy was of star calibre and gave him a leading role (occasionally with the dog in this short) until 1963’s Banty Raids, about a year before the end of the studio’s life. With this one cartoon, McKimson managed to spawn two series of well-remembered shorts.

Monday, 8 July 2024

A Safe Gag

The last new Bugs Bunny cartoon shown in theatres is full of familiarity. False Hare (1964) features a wolf resembling Ralph Wolf/Wile E. Coyote (except with bloated cheeks), Mel Blanc doing his standard “nephew” voice and a bunch of gags that were variations of ones used time and time again in Warners cartoons.

Here’s one that’s a switch on the “Endearing Young Charms” gag that Friz Freleng was endeared with. Character sets up a musical trap. Bugs doesn’t do the right thing to activate the trap. Character gets frustrated with Bugs’ inability, demonstrates how to do it correctly and BAM!

In this case, Uncle Big Bad has rigged a knife to a desk clerk’s bell. When the bell is rung, it cuts a rope keeping a huge safe aloft. The safe falls on top of the ringer.

In olden days, Bugs didn’t need to have advance knowledge. He was the good guy so, naturally, the bad guy (eg. Yosemite Sam) lost. In this case, writer John Dunn has Bugs clue in by looking up and seeing the safe.



We all know where the gag is going. Bugs deliberately avoids using the little button to sound the bell.



Big Bad doesn’t hit the bell, either. His hand goes past it. That’s because the bell is on Bob Gribbroeck’s background painting. At one time, the button would be animated, but that would cost more money.



The safe doesn’t squash Big Bad, either. The cel with the safe on is slid down in front of a stationary cel of the wolf, just like in a Hanna-Barbera cartoon. That saves money, too.



The cartoon was made by the Bob McKimson unit. There’s a cameo at the end by McKimson’s Foghorn Leghorn but even the dialogue, I SAY EVEN THE DIALOGUE, sets it up that you can see that coming, too. TOO, THAT IS.

Sunday, 24 December 2023

Bagging the Cat

How many cartoons did Sylvester, Jr. do this?



This is from Who's Kitten Who? (1952), written by Tedd Pierce. It seems like young Sylvester was always shamed by his father’s inability to catch a giant mouse, but dad, the kid and the kangaroo only appeared in seven cartoons together.

However, Jr. pulled out the bag again in The Slap-Hoppy Mouse (1956).



The bag makes another appearance, though the "giant mouse" does not. Sylvester gets beaten up by a dwarf eagle and a butterfly in Cat's Paw (1959). Pierce uses it as an end gag.



Here’s the gag for a final time from Goldimouse and the Three Cats (1960). Mike Maltese wrote this cartoon.



Maltese left for Hanna-Barbera, where he developed Augie Doggie (named for one of wife Flossie’s relatives), who had some Sylvester Jr. "Oh, the shame of it" tendancies (but no paper bag).

Thursday, 9 November 2023

Bugs and Genie

Jim Backus played a character named Hubert Updyke III, the richest man in the world, on radio comedy shows. Backus got laughs aplenty; eventually this character formed the basis of Thurston Howell III on Gilligan’s Island.

Writer Warren Foster and director Bob McKimson decided it would be funny to use Updyke’s attitude and catchphrases, and put them—and Backus’ voice—into a genie in the Bugs Bunny cartoon A-Lad-In His Lamp (released in 1948).

The early McKimson cartoons are filled with arm-waving and varied expressions. This cartoon doesn’t disappoint. Bugs is debating to himself about what wish he wants the genie to grant him. The genie keeps interrupting him before even revealing what he wants. Finally, Bugs has made a decision, which is stopped in mid-sentence by the genie saying “Heavens to Gimbels, no!” (This was an Updyke catchphrase). Here are some random frames to show how appealing McKimson’s shorts could be.



“Now cut it out!” yells Bugs. Multiples and floppy tongue.



Whether this is a Manny Gould scene, I don’t know, but Gould loved floppy tongues and he animated on this cartoon. Gould may not have loved Bob McKimson; he was gone by the time this cartoon was released, working for Jerry Fairbanks on “Speaking of Animals” shorts.

The other credited animators are Chuck McKimson, Phil De Lara and John Carey.

This cartoon deserves to be restored for home video.