Tuesday, 24 June 2025

Bobby Sherman

Let’s get the phrase out of the way right now.

Teen idol.

You’ll see those words on any story dealing with one of 16 Magazine’s greatest salesmen of all time: Bobby Sherman.

It was long before social media, when publicists for David Cassidy, Donny Osmond and other young men battled for space in Tiger Beat and every other publication aimed at teenaged girls. There you could learn Mark Lindsay’s super secrets, or the food Davy Jones found yucky.

Sherman’s initial fame came from Jimmy O’Neill’s Shindig, ABC’s attempt to grab teen eyes with a pile of guest musical artists packed into a half-hour (a syndicated story by Charles Witbeck in September 1964 doesn’t even mention Sherman). Staking out fame was a little difficult because, at the same time, there was a stand-up comedian with the same name.

But he must have stuck out. 13-year-old Lucie Arnaz gave her opinion to the Los Angeles Times of Sept. 18, 1964: “Bobby Sherman was the best thing in it,” she proclaimed, then chastised confused columnist Cecil Smith. “EVERYONE,” she said, “knows Bobby Sherman!!”

This would have been quite an accomplishment because Sherman was plucked out of nowhere with Donna Loren to be the regular singers. We learn about Sherman from columnist Harrison Carroll, who wrote on June 18, 1963 about a 16-millimeter art film being produced and funded by Sal Mineo.

A new young singer, Bobby Sherman, will play the lead. They are locationing in Sacramento at the La Sierra High School.
How Mineo and Sherman met isn’t clear. But it certainly wasn’t at the beach party given by Mineo for the cast of The Greatest Story Ever Told. Columnist Harrison Carroll wrote on August 21, 1963:
Bobby Sherman, the boy who plays the lead in Sal’s independent movie, was a hit singing at the party. Sal is putting him under contract to his record company.
It took a year before Sherman was hired for Shindig. This is from the Women’s News Service, appearing in papers around May 15, 1965.

Bobby Sherman Shuns Beatles, Aims to Revive ‘American Sound’
By JEANNE SAKOL
NEW YORK (WNS) — Bobby Sherman may bring back the "American Sound" to popular music.
The tall, slim, fair-haired singing star of television's "Shindig" began his career July 4th when he was discovered at a California beach party given for Hollywood's younger set by movie star Sal Mineo.
Bobby refuses to wear the Beatles-style haircut that has become uniform among rock 'n' roller performers. Instead, he wears his hair "American-cowboy" style, short on the sides, longish in back and leaving the forehead bare. It is possible that he is the only teenage favorite who does not shake his head from side to side when he sings.
* * *
"The 'Liverpool sound' is fading," Bobby predicted during a three-day stay in New York.
"The old rock 'n' roll is coming back — only with some differences. The kids will love it. After all, the English pop music is all based on old rhythm and blues and gospel music from America in the first place.”
The young singer's strong American feelings may be tied to the trick of fate which took him to Mineo's party last Independence Day. Bobby didn't know his famous host but was brought along as the escort for a girl who had been invited.
Famous faces were all around him, Natalie Wood, Jane Fonda, Roddy MacDowell [sic] among them. While the Peppermint West band played, the guests danced in the sunshine, swam in the Pacific and played beach games.
When his date led him up to the bandstand and insisted he help entertain by singing, the gates of stardom began to open. By the time the party ended, Mineo had arranged to have his own manager meet Bobby.
* * *
About that time, auditions for "Shindig" were being held in Los Angeles, Bobby Sherman, again keeping in mind the American sound, belted out his own version of "Back Home In Indiana," and got the job.
Not that Bobby comes from Indiana.
Now 19, he was born in Van Nuys, Calif., where his father, Robert Sherman, owns a dairy. Bobby is a graduate of Birmingham High and spent a year at Pierce College, Canoga Park, taking physics and electronics courses.
His Russian is sketchy, he admits, but he does know enough to get the gist of Russian speeches at the United Nations and Russian commentators on news reports of space flights.
Electronics interest him far more than languages.
He plays eight musical instruments and makes his own sound tracks with a home studio fitted out with recording devices.
That way, he can record drums, trumpet, French horn, trombone, bass guitar, harmonica and piano at one time and blend them together for a one-man orchestra accompanying his own voice.
* * *
He's built his own closed circuit television system at home, too. He televises himself and sees the results on his own monitor.
"This isn't as crazy as it may sound," Bobby said.
"Television is far more demanding than records, movies or personal appearances. I have to see how I look and how I sound — on television — before I actually appear. Teen-agers are a very hip audience. They don't want you unless you're right in there. With it."
The first teen personality to be created by television alone, Bobby would appear to be very much with it. He will star in the "Shindig" movie being filmed this month and is signed to top billing for next season's program. Some 500 letters a week ask for his autograph, advice and picture.
Girls ask mostly for pictures, boys for fashion tips.
“I guess you’d call my clothes 100 per cent U.S.A., too,” the singer smiled. “I believe in wearing a conservative suit and a tie for meeting people and doing business, turtle-necks and velour pullovers for casual wears.” His favorite actor is Marlon Brando and, like his hero, Bobby Sherman may often be seen driving a motorcycle, wearing black pants, motorcycle jacket, boots and goggles.


Pop culture changes as people age. Teenagers become adults, kids become teenagers and they find their own stars. If they didn’t, today they’d be listening to Rudy Vallee.

Here’s a feature story from about May 4, 1980. Sherman appears to taken his fall from a life of constantly coping with screaming girls fairly well. The writer is playing up Sherman’s status on Here Come the Brides. David Soul didn’t come out too badly.


Bobby Pays the Kids Back
By NANCY ANDERSON
Copley News Service
HOLLYWOOD — "God less the kids!" Bobby Sherman cried piously. "They made it all happen."
What the kids did was, first, make Bobby a teen idol by way of “Shindig” and “Here Come the Brides.” Then, more or less concurrently, they made him prosperous and experienced enough to become a successful record and film producer and a director.
"There's nothing in show business I don't enjoy doing," Sherman declared. “But I'm not one of those people who feels that he always has to be in the limelight."
Possibly because of this modesty, Sherman hadn't worked as an actor for a while before he was cast as an insecure rock star in the Operation Prime Time production, "The Gossip Columnist."
He referred to the casting is "a comeback if you can call it that."
Yet, though he's been off screen, Sherman has never been away from show business, because, unlike less fortunate former teen idols, he was prepared to shine behind cameras once he and his groupies grew up.
The first personality to star in three television series before he was 30, Bobby made his initial impact as a singer in "Shindig" when he was 18. Then, for two years, as a Bolt brother he was the superstar of "Here Come the Brides," though his status hadn't been anticipated. But it was Sherman who stirred female viewers to mania and who, when the brides had come and gone, got his own series.
The weekly attraction produced post-"Brides" to star Sherman was "Getting Together."
However, it failed to get enough rating points together to become a television staple.
Sherman survived this disappointment nicely, since he had a 16-track recording studio in San Fernando Valley where he was helping other young artists get their sounds on discs and where he was also making his own music. He's still doing both.
"I'll find a group with no record contract and no demos," he says, "and take them into the studio and help them cut something. Then I'll try to get them a record contract."
So far, none of his proteges has set the music world on fire, though Bobby hopefully describes some as "up and coming."
Through his Phase I Productions Co., Sherman has developed a mobile unit which he's used in the production of commercials and industrial films.
He's also into television and motion picture production having produced the "ABC Movie of the Week," "The Day the Earth Moved," for which he composed and performed the score.
Further, he has "a couple of things in development, one for Universal."
Holder of a dozen gold records. Bobby enjoys writing music but not under pressure.
"I can't just sit down and say I'm going to write a song," he says. "I wait until something triggers an idea for one. Writing music is easier when it's done by chance."
He is on the board of directors of the San Fernando Valley Child Guidance Clinic and has generously underwritten cancer research through the Bobby Sherman Cancer Research Fund.
The fund came about through his appreciation of his fans.
"I'd done a concert in Memphis," Sherman explains, "and was packing to leave town when a pair of the city's finest knocked or my hotel room door.
"The policemen told me that they'd brought someone who wanted to meet me, the mayor."
The mayor told Bobby that he wanted him to go or a mission and that, if he declined, he'd have him arrested.
"So, since he put it that way, I went," Bobby laughs. The mission, as it turned out, was no laughing matter, for Bobby's escorts took him to the bedside of a fan, a girl who'd missed his concert, because she'd just lost a leg to cancer.
Bobby was so moved that he determined to learn more about the disease which hi discovered was a major killer of young people.
“Young people had done so much for me that I wanted to do something for them,” he says.
And thus was born the Bobby Sherman Cancer Research Fund.
When Sherman exclaims, “God bless the kids,” he’s not just talking.
He puts his money where his mouth is.


The sad irony is Sherman’s wife announced he had Stage 4 cancer in March.

Sherman had been helping young people for a long time. In 2011, he set up a foundation in Ghana, which provides education, health, and welfare programs to children in need. Before that, he trained as an emergency medical technician and was a reserve officer for the Los Angeles Police and San Bernardino County Sheriff's Department.

Whatever you think much of bubble gum music, Bobby Sherman entertained. And when the bubble gum ran out of flavour, he helped the community at large. That’s a pretty good legacy.

Where's Bugs?

Bob McKimson’s early Bugs Bunny cartoons as a director baffle me.

There’s potentially good animation that’s lost in the odd staging. Whether McKimson was responsible or layout man Cornett Wood was responsible, I don’t know.

Here are a few examples (and there are more) in A-Lad-in-His-Lamp (1948). In the frame below, the genie, who was on the right half of the screen, has gone back in the lamp.



There’s a take as Bugs sees Caliph Hassen Pheffer coming for him. But the take is off-screen. You can’t see the animation.



McKimson’s cartoons go from huge open mouths to teeny mouths like the drawing below.



Bugs leaps into the air before running away. I really don’t get the point of having Bugs in mid-air when you can’t see the top half of him. It seems like a waste of an animator’s work.



McKimson’s shots can be either too close or too far. Below are consecutive frames. Look at the dead space in the second one. You can’t read the expressions later in the scene.



McKimson liked perspective animation in his earliest cartoons. You’ll see characters running toward the camera and back. Here’s a perspective example from this cartoon.



The genie is a fun character and would have got more laughs in 1948 as he was recognisable to audiences then. His character was lifted from the Alan Young radio show, the upper-crust, East Coast millionaire Hubert Updyke III, complete with catchphrases. This was Jim Backus' first cartoon appearance.

Chuck McKimson, Phil De Lara, Manny Gould and John Carey are the credited animators. Dick Thomas went from forest to caliphate in his backgrounds.

Monday, 23 June 2025

Shotgun Non-Wedding

“The worst thing about these nosy people is, they’re always interferin’ with somebody’s love-life,” says the voice of The Cat That Hated People (from the cartoon of the same name).

Further dialogue isn’t needed, like many fine gags in a Tex Avery cartoon. Animation tells all.



The animators in this cartoon are Walt Clinton, Grant Simmons and two ex-Disney artists soon to leave the Avery unit, Bill Shull and Louie Schmitt. The title character is played by Pat McGeehan. The short was released in 1948.

Thursday, 19 June 2025

Tazzy Birthday (Not Quite)

Yes, we're back. But only for a week.

Music expert Daniel Goldmark sent me some information quite a number of months ago. I thought I had turned it into a post, but have discovered I hadn't. I don't want to waste his kindness, so I've come up with something which you'll read here next week. Since I've had a bit of spare time, a full week's worth of posts will appear starting Monday. Then it's back into retirement. (The Yowp blog will have posts monthly through the end of the year but it is essentially done).

Some cartoon fans have pointed out today is the birthday of the Tazmanian Devil. Indeed, Devil May Hare was released on this date in 1954 according to all trade publications of the time.

But hold on thar! It's actually not his birthday.

Cartoon scholar and noted Release-the-Remaining-Warners-Cartoons champion Jerry Beck has pointed out on many occasions that as soon as a cartoon arrived at a film exchange, a local movie theatre could show it. It may have arrived some time before the "official" release date; A Wild Hare is a great example.

So it was with Devil May Hare. To the left is an ad from the Escanaba Daily Press of Saturday, May 29, 1954. It advertises Devil May Hare will be on screens the next day. (You can click on the ad to get a larger view).

This doesn't mean the cartoon debuted in a small town in Michigan. That's just the earliest newspaper ad I can find. I don't know if any records exist of when each theatre showed any cartoon, and some newspapers will simply announce "Bugs Bunny cartoon" or "cartoon" without the short being named. After all, if it says "Bugs Bunny cartoon," do you need to know more?

I am not suggesting people who want to celebrate cartoon "birthdays" stop doing it. I merely point out that "official" cartoon release dates are not necessarily birthdates of characters therein. As a side-note, some years back Turner sent out a press release with "birthdays" of Hanna-Barbera characters. It was flat out wrong for the Kellogg's series and I've spent time on-line trying to correct the dates.

Below is another ad, this one from the Omaha Evening-World Herald. Omahamians (is that what they're called?) got a chance to Dial T for Taz on June 3, 1954.



Incidentally, the Warners featurette Frontier Days had an official release date of June 12, so it was being screened early in Omaha as well. Oh, and there was another Warners short with a June 19 release date, a Vitaphone Varities ten-minute reel named When Sports Were King. Warners was still offering movie houses various shorts, including sports and music reels, something called "Classics of the Screen" that ran 17 to 20 minutes, Technicolor Specials (like Silver Lightning, the story of a salmon) and George O'Hanlon as Joe McDoakes.

Bugs and other McKimson characters were drawn with hooded eyelids. An example is to the right.

Devil May Hare was written by Sid Marcus. Perhaps that's why the character is an original. Other writers for McKimson were content with purloining characters from radio (eg. Frank Fontaine's John L.C. Sivoney was turned into Pete Puma). Motion Picture Exhibitor rated it "fair." I suppose it is compared with other Bugs cartoons that year, such as Bugs and Thugs and Bewitched Bunny, but I quite like the Devil. There wasn't a lot McKimson and his later writers could do with him (see Dr. Devil and Mr. Hare for an example. If you dare) and he was eventually turned into a TV cartoon sitcom character for the kiddies.

Herman Cohen, Rod Scribner, Phil De Lara and Chuck McKimson animated this short, with Bob Givens laying it out. Dick Thomas supplied the stylised forest background art that isn't much more elaborate than his later work at Hanna-Barbera. By the time this was released, they were all unemployed. The McKimson unit was eliminated in March 1953 but, apparently after some debate, reactivated almost a year later.

We have more about the McKimson family and the T. Devil in this post.

Monday, 2 June 2025

So Long For Now



This concludes our regular posts on Tralfaz.

15 obituaries are banked and will appear at the proper time.

We didn't expect to resume regular posts last July, but it happened. It's possible we may return.

There are 5,100 posts here so there is a lot to go through. We hope some of your favourite cartoons are represented here.

Update: Tralfaz will return for one week, starting next Monday.

Sunday, 1 June 2025

Like a Moose Jaw Needs a Hat Rack

Have you heard the one about Jack Benny showing up in a church in Moose Jaw?

No, this isn’t a joke. It actually happened.

Well, we should clarify that it wasn’t Jack himself but his voice.

May 1939 was an unusual month for Jack. It was a month after he was ordered to pay a fine in a jewellery smuggling case and columnists like Jimmy Fidler pointed out the charges had absolutely no effect on Benny’s career. In fact, radio newsman Tom Fizdale reported Jack’s management worked out a pay increase that month to $15,000 a week (and staved off an attempt by General Foods to change his sponsorship from Jell-O to Grape Nuts Flakes).

At the start of the month, he was a batter in a celebrity ball game during the opening of Gilmore Field, the new home of the Hollywood Stars of the Pacific Coast League. His movie Artists and Models Abroad was still in theatres and Man About Town was set to open the following month.

His radio show, of course, was still on the air. But that isn’t what was heard at a United Church (still standing) in Saskatchewan.

Jack made guest shots on a number of radio shows. On May 16, he appeared on the Lifebuoy (Beeee-oh!!) Tuesday Night Party. Here’s what the Regina Leader-Post reported on page one the next day:


Jack Benny In Church
MOOSE JAW, May 17.—Ghosts of departed congregations of a less broad-minded era probably rolled over in their graves Tuesday night, as a musical festival program was in progress at Zion church.
A radio was set up on the stage to bring to the audience a talk to be given by Adjudicator Arthur Benjamin over the CBC. Officials, anxious lest they miss the opening remarks, turned the set on five minutes ahead of time.
They turned into the last hilarious five minutes of a comedy broadcast, with Jack Benny rowing violently with Dick Powell. The audience, momentarily startled, giggled a bit. But nobody moved to turn the radio off.
Set at full volume, the set blared forth wise-cracks and riotous laughter, a blurb that the United States had more bath tubs than any other country in the world.
Then, to cap it all off, wide-mouthed Martha Raye swung into it ditty about “Three Little Fishes” who swam to the dam. It was not festival music. It was rowdy-dowdy swing stuff, and it probably never blared forth in more peculiar surroundings.
The song ran its course with a hot orchestra background. There was no adjudication for Miss Raye's number.


You can hear part of the show below.



There was another unusual Benny appearance during the month, this one in person. In the 1950s, ‘60s and ‘70s, Jack raised millions of dollars through benefit concerts to save symphony orchestras, their theatres, even their pension plans. Things were a little different in the 1930s. On May 19, 1939, Jack agreed to preside over a charity dinner in Pasadena for poor kids. He brought along announcer Don Wilson and writers Bill Morrow and Ed Beloin to add some shtick.

Here’s the pertinent part from next day’s Pasadena Star-News.


BOYS BENEFIT BY $10-PLATE BANQUET
Funds To Permit 220 To Enjoy Camp
JACK BENNY GIVES $50 DONATION
Radio Star Willing To Come Again

Approximately 220 underprivileged boys will enjoy vacations in the mountains this summer because 550 prominent Pasadena business men paid $10 a plate for their dinners last night in the Huntington Hotel.
Members of the Junior Chamber of Commerce today were jubilant over the success of last night's brilliant [sic] event. General Chairman W. H. Nicholas proudly displayed a $50 check signed by Jack Benny, who after serving as master of ceremonies declared himself completely “sold” on the Junior Chamber of Commerce plan for boys' camps.
"I've had the best time in 20 years, and if you ask me to come again next year, I'll drop everything and come over," he told Leon Kingsley to whom he presented the check. "I'll even bring my own violin."
Benny Humor Pleases
Virtually everyone attending last night's banquet got thrills from Mr. Benny's fine humor, the vaudeville entertainment provided, the "ribs" at the expense of prominent Pasadena officials and the sizzling steaks served as the main course of the dinner that cost $10 per plate.


I suspect one of the jokes at the Pasadena dinner did not include the phrase “like a moose needs a hat rack.” Morrow or Beloin were gone from his writing staff when it was heard on the air for the first time in 1947. Norman Krasna loved it, you know.

There might have been something about the feud with Fred Allen, which would reach another high point by tossing it into a movie in 1940 called Love Thy Neighbor. The photo to the right is also from May 1939 but I can’t find the source. The feud, in a way, continued after Allen’s death in 1956. Jack would reminisce about it to TV talk show audiences and even drag out his impression of Allen ridiculing him.