Friday, 30 January 2026

Such Language in a Cartoon

The familiar theme of noise/silence is explored yet again by Tex Avery in his final theatrical cartoon, Sh-h-h-h-h-h (Walter Lantz, 1955).

Unlike Avery’s other cartoons with this plot device, Mr. Twiddle doesn’t run into the distance and make noise. He and other characters hold up little signs instead.

In one scene, Twiddle stubs his toe on a footstool.



Cut to the sign gag and topper.



Notice Twiddle has a red nose like an Avery character at Warners in the late-'30s.

The cartoon is a disappointment to me. The idea of the hotel staff maintaining quiet is completely violated when noise comes from the room next to Twiddle’s. Why aren’t they taking any measures to deal with it? And in the opening scene, Twiddle’s reaction to the noise is weak compared to the emotional reactions of Avery’s wolf in Northwest Hounded Police at MGM ten years earlier.

Avery left Lantz after this cartoon and, after a bit, worked on TV commercials, which he found less stressful.

The picture everyone seems left with is Avery was a sad and broken man when Bill Hanna and Joe Barbera gave him a job near the end of his life, where he had to deal with the restraints of television and the sausage factory attitude of the studio.

As this was Avery’s final cartoon for the big screen, this is our final post as we go on an indefinite hiatus. Thank you for reading.

5 comments:

  1. "As this was Avery’s final cartoon for the big screen, this is our final post as we go on an indefinite hiatus. Thank you for reading."

    Leon Schlesinger: "He'll be back" :) (I mean seriously, you've tried to retire from this blog at least 3 times already and for months you kept pushing the date when you would retire! I'm betting that you'll return. Mark my words)

    "The picture everyone seems left with is Avery was a sad and broken man when Bill Hanna and Joe Barbera gave him a job near the end of his life, where he had to deal with the restraints of television and the sausage factory attitude of the studio."

    Indeed. The fact that one of his first works in there was apparently doing storyboard gags into that awful Marvel's The Thing show (according to Scott Shaw) and working on Casper's First Christmas is truly sad.

    Oh well. I suppose it's better to retire in animation on crappy SATAM shows than retire doing something like being a greeter at Walmart (I wouldn't take either of those options though).

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    1. If this IS indeed the end though....thank you, Yowp for all this great info you've given people like me and thank you as well for being able to tolerate my occasionally annoying and a little bit critical comments.

      Even though I sometimes don't like your style of writing and your sometimes blunt opinions and statements (I'm a little too sensitive to snarkiness), you've really helped me look at cartoons through a MUCH different perspective than before I discovered your blogs.

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    2. Did Ed Aardal, Lance Nolley and Robert Gentle worked together at Hanna-Barbera in the 1960s?

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  2. thank you for all your wonderful posts over the years! Much appreciated.

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  3. The cartoon, as many know, was based on that 1920s Okeh Laughing record, and,yes,thanks for all the writing..Mejo, I liked the Kwicky Koala show that he got credit for...

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