
Then there’s the case of Ken Champin, who worked for several years on newspaper panel ads for a Hollywood business association.
It’s regretful that little is known about Champin, whose name you will probably recognise from the Friz Freleng unit at Warner Bros. I have never found an interview with him. You’ll have to pardon the brevity of this snapshot; I suspect Devon Baxter has looked into him and has found additional information.

The only mention of him in the local press is in a story in 1928 that he had signed to play tenor saxophone with the Box Scout band in the La Canada valley. Champin attended Glendale Union High School and was the staff cartoonist for the Stylus. The 1930 Census reveals he was an 18-year-old grocery clerk. He married in 1932.
The 1936 Glendale directory gives his occupation as “attdt Forest Lawn.” It would appear he started in animation in 1937 as in 1987, he was honoured for 50 years in the business at the Motion Picture Cartoonists Golden Awards banquet. The very first edition of the Leon Schlesinger Studio’s internal newspaper, The Exposure Sheet (Jan. 1939), announced the birthday of Champin’s son Jim on February 28, 1938. The younger Champin ended up in the animation business as well.
Unfortunately, the newsletter (published in 1939-40) has little to say about him. He was part of a studio table tennis team that included Bob Matz, Dick Thomas and Bob Holdeman. He appeared in one of the studio’s Sketch Pad comedies before Christmas 1939.
Champin’s first screen credit for animation was in Daffy–The Commando, released Nov. 28, 1943. The final short with his name is Pests For Guests, released January 29, 1955. This was apparently animated before the cartoon studio shut down for the last six months of 1953.

He passed away on Feb. 25, 1989 in Palm Springs.
(No, I didn’t “forget” other credits. This is not a filmography. You can find lists elsewhere on-line).
In 1920, the Merchantors’ Division of the Hollywood Chamber of Commerce came up with a semi-annual Dollar Day. Not only did businesses take out full-page ads in the Hollywood Citizen-News, it commissioned a one-panel cartoon to comically promote it. Champin was the artist. Here are some of the examples.







Here is a week’s worth from May 1939. Champin shows a good sense of composition. I really like his struggling horses pulling a streetcar.





There are actually quite a number of others ending, it seems, on May 16, 1941 with a couple of Africans. I don’t want to make this post too long, so we’ll end with these. Toward the end, Champin focuses on World War Two (Pearl Harbor hasn’t happened yet).











Friz Freleng lived long enough where he was honoured and interviewed many times over later in life. So was Virgil Ross, who spent a large portion of his career in the Freleng unit. Champin doesn't seem to have been as fortunate, but perhaps this fills in a few blanks.
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