Monday, 22 January 2024

More Tex and More Obscure Stuff

Yes, this blog is retired but, like the Yowp blog, it seems I end up posting periodically (Yowp will have posts once a month for the next few months).

Some things in animation caught my interest today so I’ll pass them along.


I’m pleased the Warner Archive people are coming out with Blu-rays featuring some of the old Merrie Melodies and Looney Tunes cartoons. Volume 3 of the “Collector’s Choice” (which “collector” chose these, anyway?) will be out March 12. There are 25 cartoons, and Warners fans should enjoy, well, most of them. Provided, of course, on how they look and sound.

Four of them are by Tex Avery. A Feud There Was with Egghead as Elmer Fudd, has only been released on laser disc. Cinderella Meets Fella stars Egghead (Danny Webb) and Cinderella (Berneice Hansell) as Tex and his writers made fun of the old fairy tale, ending with the pair in a theatre about to watch a newsreel. Egghead Rides Again features Mel Blanc instead of Danny Webb doing his best Joe Penner impression. And there’s I Only Have Eyes For You, with an iceman (Joe Twerp) in love with crooner crazy Katie Canary (Elvia Allman) but who gets stuck with an old crone (also Elvia Allman). “At least she can cook.” It would be great if the original titles had been found for this.

There’s an upgrade to the historic Honeymoon Hotel (1934), the first colour cartoon (Cinecolor) released by Warners. Hey! It shows a man and a woman in bed together. Okay, they’re bugs. But still...

Happily, Art Davis is represented in this release with two cartoons he directed. Davis did a good job with Daffy Duck (my favourite Davis cartoon is What Makes Daffy Duck?) and two Daffys are here: Mexican Joyride and Riff Raffy Daffy. Does anyone except Eddie Selzer and some Warner Bros. bean-counters think the Davis unit should have been disbanded?

For fans of Bugs Bunny with a weird voice, there’s Chuck Jones’ Elmer's Pet Rabbit from 1941.

There are some “eh” cartoons in this volume, and we can be thankful we’re spared the adventures of Daffy and Speedy or Cool Cat. But there’s one real stinker in this collection, and that’s Pre-Hysterical Hare (1958). I don’t know what’s worse, Tedd Pierce’s story, Dave Barry as Elmer Fudd or the Yogi Bear music (the Warners cartoons are about the only place I don’t like the Capitol Hi-Q library).

The other interesting news item comes from Devon Baxter, maybe the best and most dogged of the young animation researchers out there. Devon is working on finding out about the Daffy Dittys series of stop-motion animated shorts produced by Morey and Sutherland. Frank Tashlin left Warners after his final go-around there to work for the company. Six shorts were released by United Artists. We wrote about them a good 12 years ago.

Devon has far more patience and time than I do in hunting down information, and is willing to talk to people to find out what he needs to know. In this case, he’s been in contact with the son of Rev Cheney, an uncredited Warners animator who went to work for Morey and Sutherland in 1945. These frames are from The Cross-Eyed Bull, released before Cheney arrived. The film apparently doesn’t exist.



Cheney continued working for the company when Morey left and it became John Sutherland Productions. Rev was involved with the Harding College propaganda cartoons like Make Mine Freedom and Meet King Joe. I hope Devon will delve into that in a future post on the Cartoon Research blog. The Sutherland cartoons are probably my favourite of the industrial animated shorts.

Devon’s also acquired some other odds and sods, including artwork from Ray Patin’s commercial studio. I am anxious to read about that. He also has some cards from Five Star Productions. One of them is below.

Five Star is the answer to the question “What happened to Norm McCabe after Warner Bros?” He replaced Howard Swift in August 1952 when Swift opened Swift-Chaplin Productions.

I’m always pleased to read new information about old cartoons, even commercial and industrial ones, and I look forward to seeing what Devon has discovered.

4 comments:

  1. Hans Christian Brando23 January 2024 at 07:33

    It's interesting and a little disturbing how the Capital Hi-Q/John Seely music, so right for early Gumby and Hanna-Barbera, distorts the 1958 Warner Bros. cartoons. Why didn't they recycle their old music like Famous Studios did for their music-strike-stricken theatrical cartoons (and subsequent TV cartoons)? Fortunately, the strike didn't affect MGM cartoons since that studio had already closed.

    I think "Elmer's Pet Rabbit" is the first cartoon where he's actually billed as Bugs Bunny, although he doesn't have his distinctive voice or buck teeth (he looks rather Dr. Seuss-influenced).

    Anyway, Yowp, happy retirement and we'll look forward to your occasional visits. You always find something new to teach us.

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  2. That's a good point. I remember as youngsters, we referred to those six or so cartoons as " the ones with that Yogi Bear Music ". Maybe someone with knowledge in music licensing and contracts may have the answer. I know most televisions show that were using " Library Music " didn't miss a beat during the strike. While I love The Capital library, the Carl Stalling/Milt Franklin compositions were definitely the tracks that crazy train ran on. Looking forward to the collection.

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  3. Fantastic to see the Frank Tashlin and Art Davis WB cartoons included in the Collector's Choice Blu-rays. Taking nothing away from Tex, Jones and Clampett, these are among my favorites of all the Looney Tunes and Merrie Melodies.

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  4. "There are some “eh” cartoons in this volume, and we can be thankful we’re spared the adventures of Daffy and Speedy or Cool Cat."

    I hate to inform you, but they've already restored almost all of them for HBO MAX and MeTV. They'll get to them eventually.

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