It’s another one of those stretch in-between scenes that Bobe Cannon specialised in. A few spies come out of their hiding places to repeat a line in the rhyming verse (by Dr. Seuss, I suspect), and then disappear.
Carl Stalling tosses Raymond Scott’s “Powerhouse” into the soundtrack, and the familiar “horse’s ass” music ends it all.
From what I gather, Seuss/Geisel's involvement in the Snafu series waned over time, but a few of them, especially the early ones, bear his stamp. "Spies" I think has the clearest fingerprints of Seuss/Geisel -- just look at the moose design (shortly after this sequence), or the design of the horse that comes just before the stills you show above.
ReplyDeleteThe Nazi moose are here: https://tralfaz.blogspot.com/2018/08/moospies.html
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