Monday, 2 November 2026

Crying Eyes of the Walrus

Walter Lantz’s Musical Miniature series holds its own with any cartoons produced in Hollywood at the time.

Kiddie Koncert (released by United Artists, Apr. 2, 1948) puts Wally Walrus front and centre as a conductor, with some fine animation by Ed Love. He’s responsible for a good portion of the cartoon, including a cute gag timed to a movement in Von Suppe’s “Morning Noon and Night in Vienna.”

The audience starts crying during a violin and harp passage, tears from the audience overflowing the small schoolhouse where the concert is taking place. There’s a cut to Wally conducting while wiping his nose. Director Dick Lundy comes in for a close-up, then cuts to Wally’s eyes. They fill up, and the pupils swim to safety. You can see some frames below. I like how the pupils congratulate each other, then go back to where they started.



Alas, only one other Musical Miniature followed, Pixie Picnic, released May 28, 1948. Lantz' deal with U.A. started to sour, and to save money, he virtually shut down his studio. Lundy, Love and musical director Darrell Calker did not return when the studio re-opened in 1951.

Here’s what Boxoffice had to say about the cartoon on Apr. 17, 1948.

Kiddy Concert [sic]
United Artists (Lantz Cartune) 7 Mins.
Very good.
Wally Walrus conducts the school orchestra in a concert. The orchestra is composed of chickens, penguins, pigs, turtles, seals, a bloodhound and a skunk, who plays a trumpet outside the window. All the performances are novel. A centipede plays five violins, while the dog drummer beats out the rhythm with a pair of knitting needles. A pig trumpet player runs into trouble when he attempts to chew bubblegum and play his instrument at the same time. The musical score is excellent.


The ad to the right is for a theatre in Houston on the day of release.

3 comments:

  1. I doubt that you will take a request to do a post on a certain topic or toon, but I truly am a big fan of your blog, and I learn something surprising everyday from it (it even got me into Quick Draw Mcgraw). Would you be open to doing a post on Pepe le Pew? The controversy surrounding him does make him a very interesting character to research, especially when it comes to showing the divide between the social views of the 1950s and now

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    1. He probably thinks it’s a dead horse to mention the r-word culture controversy (I don’t blame him) and he also thinks that he’s not really…a great character later on (it contains some of Jones’ later pretentiousness in the late 50s/early 60s).

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    2. That doesn't mean that it's not worth talking about him. There's a reason why more cartoons with him were made, and it's a lot better to talk about why he was made and/or popular in the first place than something that's already been discussed to death. It's perfectly fine to acknowledge that Pepe Le Pew was a popular character and he's a character built off the outdated premise that SA was funny.

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