Monday 30 September 2024

Breaking the Ice

Tex Avery loved literal gags. At MGM, Symphony in Slang was nothing more than slang being taken literally.

Just about everything Avery did had a genesis in his cartoons at Warner Bros. Here’s a literal gag from Land of the Midnight Fun. It’s silly at worst.

“In these thickly frozen waters,” intones narrator Bob Bruce, “passage would be impossible without the aid of these ships called ‘icebreakers.’ Let’s see how it’s done.”



Dissolve to the gag. He’s an icebreaker, all right.



Sick of Disney? Like Tex Avery? Los Angeles Times critic Philip K. Scheuer was and did. In his “heresy note” published December 17, 1939 he “rises to remark that the Walt Disney shorts for the past year have not been what they ought to be. Mickey is slipping; so is Donald Duck, their latest shenanigans lacking the wit and ingenuity of, say, M.G.M.’s ‘Peace on Earth,’ or ‘Land of the Midnight Fun,’ a Merrie Melody.”

Scheuer admits that Disney was concentrating on features, but it’s interesting to see him refer to an Avery cartoon that wasn’t groundbreaking (though ice-breaking).

The National Board of Review announced approval of the cartoon in its weekly guide of Sept. 14, 1939, calling it “An amusing satire of a travelog, with the Northern capes as a setting. In color.”

The revolving story credit goes to Tubby Millar and the animation one to Chuck McKimson. The cartoon was released Sept. 23rd. We find it playing the day before at the Capitol in Pottsville, Pa.

6 comments:

  1. The Academy seemed to find Avery's Travelogue parodies witty since they nominated Detouring America (Avery's first nominee and the only Travelogue/spot-gag of his career to be gifted with that title).

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    1. Then everyone copied them. Some from the other studios are really cringing.

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    2. Especially "Tangled Travels."

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    3. Screen Gems and Famous Studios especially did a lot of travelougue stuff. Famous used it as a method to make there Screen Songs shorts while Screen Gems made some really unfunny ones, especially the post-Tashlin shorts

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    4. But I do like Tashlin travelouge shorts though. He seems to know how to handle that genre well in my opinion

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  2. We would be remiss if mention wasn't made of another critic who championed the Warner Bros. cartoons early on, Manny Farber of "The New Republic", who famously opined in 1943 that "The surprising facts about them are that the good ones are masterpieces and the bad ones aren't a total loss."

    While I don't believe he ever singled out any of Tex's WB shorts, he did state that among the best movies of 1941 were The Fighting 69 1/2th and...wait for it...All This and Rabbit Stew (!!!). Farber also penned an notoriously scathing review of Bambi ("Saccharine Symphony"), that I don't particularly agree with, but I have to admire the passion of his vitriol.

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