It’s all straightforward. The caricatures to the right are of Warner Bros. animation artists Abe Levitow and Bob Doerfler. They’re dressed as a moose and squirrel. Bill Scott wrote Warners cartoons. He produced Rocky and Bullwinkle. Therefore, he got the idea for the moose and squirrel series because he worked with Bob Doerfler, who drew the caricatures.
Unfortunately, there are people who did what I just did there—connect dots and make assumptions and post on the internet. They declare their “research” as factual animation history.
What has this got to do with Industry on Parade, you ask?
Look at the picture to your left. It is a frame from an episode of Industry on Parade (if you click on the picture, it should take you to the episode). To be specific, it’s a frame of Bob Doerfler. He must be the Warners guy, right? They have the same name, and both are artists. He’s the age of a guy who would be in the Chuck Jones unit in the ‘40s. And a lot of Warners people went on to other types of art after working in animation.
Yes, I was about set to connect the dots on this and post it. But then I paused a minute. They don’t really LOOK the same, do they? Is it possible there were two Bob Doerflers who were artists around this time?
We’re fortunate today that there are sites you can go (if you pay) to dig up information from old newspapers, city directories and government records. They’re not complete, but they’re better than scrolling endlessly through microfilm on the off-chance you’ll find something (which is how I did research 40 years ago). U.S military draft cards are among the items you can find, and here is one for Bob Doerfler.
The key information here is his birthdate and location, middle name and mother’s name. From this we can hunt down other records and peer through newspaper clippings for matching information. In Doefler’s case, we learn his father Edd (with two ‘d’s) was an insurance agent. Doefler went to University High School in West Los Angeles where he was involved in a poster club. At Santa Monica City College, he was a club that went on sketching expeditions and created props for school plays. The 1940 Census gives his occupation as “new worker,” and we find him in the 1942 City Directory working for Schlesinger, though he enlisted in the U.S. Marine Corps in January that year.
It’s unclear whether he was working for Warners when he returned from the war (he was wounded in the Marshall Islands in 1944), but in the 1954 directory for Whittier, California, his occupation is a draftsman for “North Am,” while a year later he was an electrical engineer.
From the U.S. Death Index for California, we discover he died in San Diego on Feb. 27, 1982.
Now, the Bob Doerfler with his sketch pad in the 1956 Industry on Parade segment reveals he was employed as a designer for the International Silver Company of Meriden, Connecticut. Fortunately, the archives of the local paper are available to search and we discover that a Robert L. Doerfler, Sr., born in Meriden in 1916, died in Florida on October 22, 2004. The obit reveals “He was a designer for International Silver Co. with over 30 years of service.”
So, yes, there were two Bob Doerflers who liked to draw.
This is a short lesson to be as thorough as possible if you’re doing research.
Now, on to Industry on Parade.
This may be my favourite pro-corporate propaganda TV series. Here’s Variety from October 25, 1950:
National Assn. of Manufacturers has launched a video newsreel program, “Industry on Parade,” for use by TV stations. Reels are being made available cuffo to 50 stations, on an exclusive basis, and may be used as a sustainer or commercial. Vidpix run 13 minutes, allowing time for local bankrollers, and two 40-second segments can be deleted if more commercial time is needed. NBC-TV news department is lensing the subjects (such as U. S. arms production, new synthetic yarns, innovations in furniture manufacturing, etc.) on assignment from the NAM. G. W. (Johnny) Johnstone, NAM radio-TV director, has taken on A. Maxwell Hage, former Mutual news editor, to work on the project.One of those 50 stations was WNBT New York, which popped it in a 1 p.m. time slot on Oct. 28th.
At one time, there were all kinds of filler shows on television to eat up time during the daytime on weekend instead of running a test pattern. Industry on Parade were put together just like a newsreel—a title card followed by silent footage edited together, with voiceover narration and stock music. In between its salute to various companies (NAM members, one suspects), there were right-wing messages about high taxes on business, federal government interference and how the Commies wanted to destroy what made America great (free enterprise). The series was well-written and expertly edited. As a bonus, it used the Filmusic library composed by Jack Shaindlin. There were hundreds and hundreds of cues, some later heard in the background of the earliest Hanna-Barbera cartoons.
Here’s one that’s a snapshot of life in the 1950s. First, we see a company that is so good to its workers, it prints a company magazine. In fact, it helps explain the American Way of Life to people in other countries. Of course, since the boss is giving a free magazine, he’s your friend. No need for one of those unions.
Next, the story of the largest ink producer in the U.S. We’re reminded America is “the best read, best informed nation on Earth.”
Ah, but the show breaks for a warning. The American dollar has been devalued! Why? Too much spending by the U.S. government (read "Democrats"). Taxes are unfair (read "businesses are overtaxed"). Sound money means a strong and free America! Cut to a waving flag.
Next, a look at the main competitor to Dixie Cups. We see how Lily Cups are made. Just throw them away after using them once! And there’s something new called “take out food.” I quite like the opening cue, which is among the hundreds not in my Langlois collection.
Well, today there’s no need for a company magazine with the internet, meaning no need for ink. And the Lily Cup people ended up getting bought as part of a leveraged buyout by Morgan-Stanley. Take out food is still around, but how did they order it back then without a delivery app on their phone?
The internet will tell you the series ran on television until 1960. It has episodes in colour labelled from the 1950s, even though you’ll easily spot 1963 model cars and 1964 hair styles in them.
It seems we have a way to go when it comes to "research."
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