Jack Benny said he’d quit radio.
Of course, he did quit in 1955—not altogether on his own accord—but he talked about it off and on well before that.
Jack confided his goals in New York Post columnist Earl Wilson in 1946, and one of them was leaving radio in 1950. That didn’t happen. He wanted to do more movies. It didn’t happen (other than some cameo appearances). He wanted to do a comedy play. That didn’t happen, either. About the only thing he did that he promised to do was produce motion pictures. He produced one, The Lucky Stiff (1949), that performed so badly at the box office, Variety reported Benny would have to reimburse CBS for the loss under the deal that saw the network buy his company, Amusement Enterprises.
Anyway, here’s Wilson’s column from May 26, 1946. The picture below, by the way, is Wilson, not Benny.
Benny's Greatest Worries—Jack Wants to Be a ProducerThis column appeared in print on the same day as Benny’s final show of the 1945-46 season. The last two broadcasts originated from New York City, Jack’s original base of radio operations. It was also the same night as Jack’s famous King For a Day broadcast on the Fred Allen Show. You can hear it below. And if one of the secondary actors sounds like Fred Flintstone, it’s because it is. Alan Reed appeared with Allen off and on for a number of years.
By Earl Wilson
Jack Benny will quit radio! "I'm not stage struck any more," he confessed to me.
Yes, he'll quit—oh, in about three or four years.
He had me by the arm as we walked along 57th St., which flattered the hell out of me, because everybody recognized him.
"I'd like to do radio a couple or three more years, about three more pictures, and one good comedy play for Lindsay and Crouse in New York."
"Then you'll retire?" I said.
"No, no! I'll go into the executive side of show business. Produce my own pictures. I'd never want to retire. If I'm going into the executive side, there is no sense waiting till you get real old. Gee," he said, "I wish I were 40. Oh, well, I can wait."
Jack, who's 52, added as we walked along that he'll probably stick around on NBC for four more years because of contracts and options.
"Lately it's been like a vacation," he said, "because I have such wonderful boys writing for me. I play golf six days a week.
"I know they're so good that the show isn't going to stink, and if it isn't what we want, we can always fix it up. I brought my golf clubs along to New York. I hope I can get one game in. Golf is all I have to worry about now. Golf and cigars. If I'd quit smoking cigars, I'd be the healthiest guy in the world."
As an employee for a cigarette company, or an employer of a struggling cigaret company—it is hard to get this straight—Jack puzzles everybody by his cigar-smoking. He even smokes cigars while broadcasting, stopping to remark in an offhand way that this cigar he's smoking is so round, so firm, so fully packed. "I could get fired for this, you know," he says.
Jack's current person-to-person battle with Fred Allen's hilarious. Introducing Fred to the studio audience, Jack said, "We seldom have a great guest star on our program and we haven't got one tonight—I want you to meet him, Fred Allen."
"He said I'm no guest," replied Fred. "I'm getting the same salary no guest would get." There was a brief silence, and Fred said, "If you think this is a lull, wait’ll you hear his program."
"I thought we'd have Bing Crosby as guest star tonight," Jack said, "but he's busy hearing confessions."
And so on, with Phil Harris finally referring to Jack as "The Spendthrift." Columnist Irv Kupcinet recently reported that when somebody gave Mary Livingston a new fountain pen she said, "Oh good, now I won't have to buy one from Jack!"
Actually, Jack paid for my lunch. (Being a little fearful, I just had salad.) He had a big lunch, dessert, gave the waiter a fat tip, and bought himself an expensive smoke afterward—a cigar, of course.
Jack'll return to Chicago after his next broadcast, loaf around there with his father for a week or so, then drive his own car leisurely back to Hollywood. It's been almost 15 years since he went on the air the first time and said, "This is Jack Benny talking. There will be a moment of silence while you say 'Who cares?' "
A quite a lot of folks evidently do care now.
FRED ALLEN SHOW, May 26, 1946
Excellent as usual, Sir. I can remember either hearing an audio recording or reading a transcript of Jack being interviewed in the early 70s' and seeming somewhat dismissive of the radio era- the interviewer (was it Chuck Schaden (sp?) perhaps?)begins speaking about it and Jack cuts him off by talking about how he showed people things on his TV show that he couldn't show them on radio. I'm paraphrasing, but it was close to this. Then another interview in retrospect- it could be Shearer, I really can't recall- said that when he and another writer went to talk to Jack in the same era, they brought up radio and Jack said something along the lines of "radio! radio! that's all they ever talk about" and went into a bit of a tangent. I think it's fair to say that Jack believed, understandably, that he was largely known for his radio show and wanted to branch out more, and felt a bit restricted at times. As his body of work is still available and nearly complete I think it's to all of our benefit that he stuck it out as long as he did. But I also think that his lack of sentiment for said radio show is why he didn't have a big official send-off, merely making a transition to T.V. as smoothly as possible.
ReplyDeleteBut Jack also claimed, "There were a lot of things you could do on radio, that you couldn't do on television".
ReplyDelete