tag:blogger.com,1999:blog-3738012638904762739.post5418210550801986453..comments2024-03-27T01:19:56.698-07:00Comments on Tralfaz: Paul Julian Rides AgainYowphttp://www.blogger.com/profile/09264605351878574044noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-3738012638904762739.post-49156041657150655682015-07-27T13:20:34.966-07:002015-07-27T13:20:34.966-07:00I figured it was an overlay, Rob, but I don't ...I figured it was an overlay, Rob, but I don't know for certain.Yowphttps://www.blogger.com/profile/09264605351878574044noreply@blogger.comtag:blogger.com,1999:blog-3738012638904762739.post-54514387816825879992015-07-25T12:38:01.517-07:002015-07-25T12:38:01.517-07:00Always loved the quick construction gag, one of my...Always loved the quick construction gag, one of my very favorites in ALL of WB cartoondom. Do you think the background itself was painted over with the city skyscrapers? Or was that an overlay?RobEBnoreply@blogger.comtag:blogger.com,1999:blog-3738012638904762739.post-37366365542511560662015-07-24T08:59:41.487-07:002015-07-24T08:59:41.487-07:00Maurice Noble's background layouts get the lio...Maurice Noble's background layouts get the lion's share of the attention when it comes to Warner Bros' cartoons, as does the earlier experimental work by John McGrew and Eugene Fleury for Chuck Jones in the early 1940s. But Julian's background work in the Freleng unit really were part of what defined the studio's Golden Age from the mid-1940s to the end of the decade, when both the animation skills and the budgets were at their highest.J Leehttps://www.blogger.com/profile/15175515543694122729noreply@blogger.com