I can’t clip together a long pan without extreme grey-tone changes, so here are a few parts of the opening background (try to ignore Bluto being in the way).
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The entrance to the nightclub. There’s a little bit more of the drawing at the right.
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And the first interior shot.
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As usual, the background artist is unidentified.
The 1935-38 backgrounds seemed to get a little more solid so they could transition from the painted backgrounds to the 3-D setbacks without there being that much difference. The painted ones of the period may not have the 'melted' look, but the amount of detail contained in them, to mirror the detail in the 3-D dioramas, is still extremely impressive.
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