Everything in this world offends someone, somewhere. So where should the line be drawn to determine what humour is legitimately offensive?
There probably isn’t an answer to that question any more. But, years ago, Jack Benny had one. He felt common sense should prevail. Maybe it was possible in 1961 when he was interviewed by the National Enterprise Association but far more people today are quick to take umbrage and demand instant mollification.
I’ll simply post Jack’s comments and let you decide for yourself how much, if anything, has changed since this interview.
PERENNIAL JACK BENNY IS VENDOR OF GOOD TASTE
By ERSKINE JOHNSON
Hollywood Correspondent Newspaper Enterprise Assn.
HOLLYWOOD (NEA)—Jack Benny has a vault full of money, shelves loaded with trophies and awards, a record of 29 years on the air—he’s now approaching conclusion of his 11th season on television—and a head full of enthusiasm.
“Next to Bob Hope I’m the biggest ham around,” he laughed to us the other day. “I’m relaxed only when I'm working.”
Seldom topical, never faddish, Jack Benny’s humor always seems to be in style and the years wear as well on his scripts as they do on Jack himself.
THERE’S NO BIG SECRET about it, he admits.
“It’s good taste—good taste is the most important single ingredient.
“Shook value comedy—they call it ‘sick’ comedy today—may make people sit up and take notice at first, but it quickly wears thin.
“Good warm humor, without abuse and in good taste—the ability to laugh at yourself—this can win friends and affection even for a minority group, whether it’s political, religious, racial or some other type of minority.”
THAT GOOD TASTE couldn’t have a better frame than Jack’s show and he’s justly proud when he says:
“Rochester has played my butler for many years but the NAACP has never protested our showing a Negro as a servant. We always let Rochester come out the victor, showing me up as a stupid jerk.
“My home hasn’t been bombed because Dennis Day, an Irishman, is depicted as a silly kid. We don’t get letters from fat people because I always insult Don Wilson.
“Any intelligent person who himself belongs to a minority group is aware of the risk of offending. But it is a shame that people who are capable of handling any situation in good taste, with an understanding of the problems involved, are prohibited from certain types of comedy because others abuse the unwritten rules of common sense.”
Benny pointed out that these restrictions on comedy apply not only to ethnic groups. You seldom see stuttering comedians any more because stutterers in the audience are offended and may not buy the sponsor’s product.
“Unless you’re a Jimmy Durante or a Danny Thomas you don't make jokes about big noses,” he points out, too.
DESPITE THE LIMITATIONS it imposes Benny favors the elimination of any joke, gag or sequence which, within bounds of reason, may offend.
“Let’s face it,” he says, “we’re living in an age when millions of human beings who were villified in concentration camps are trying to establish their right to a decent life. People of one color want the right to use the same railroad station waiting room as people of another color. The world is watching. We must be careful.
“There are enough basic concepts in life to poke fun at. Funny things happen to all of us all the time. The comedian or comedy writer must be alert to these, remember them, and then invent variations on them. If a gag is hurtful, I don’t need it.”
Jack's lucky, of course. The Benny character — stingy, picayunish, vain with no real reason for vanity, intolerant of Rochester and insulting to his announcer, Don Wilson—is familiar to all. He’s milked each gag on the character for more years than most comedians can milk an entire career.